![]() Then I'd enable "Use Mac display color profiles for viewers" in Resolve and set your project output colour space to Rec.709-A. To get it set for colour critical viewing, I'd install the ICC's Rec709 Reference display profile onto your machine and select it as the profile in system preferences for the Eizo when connected: Worth having a play flipping through different profiles to see if this is the case on your setup. It's been a little while since I last tested it, but I'm pretty sure even with the "Use Mac profiles." disabled in Resolve the profile selected in System Preferences will still impact the image that is displayed. This means that the ICC display profile (or reference mode if you're ever using a Mac with an Apple XDR or Studio display) selected in System Preferences will impact what you see on your display connected directly over HDMI. ![]() Anything running direct out of the Mac via HDMI/USB-C/Thunderbolt is going to be subject to the macOS colour management pipeline, even when used as video clean feed in Resolve. Next the Eizo directly connected to your machine. In my experience this setting doesn't alter the image on the display connected to the Ultrastudio, so assuming your client TV is calibrated, it will display an accurate image regardless of the project settings. To test this, load up an image in a project and then change the output colour space in your project settings to a few different arbitrary settings, making sure you save each time to have the project update. And if you change the project Output colour space, it won't affect the image that is sent through Ultrastudio. I believe Resolve will default to sending a Rec.709/Gamma 2.4 signal through the Ultrastudio to the displays connected and it bypasses any system-level colour management. Worth noting I'm typing this from home so I don't have my machine connected to be able to check the exact settings at the moment, but will try to confirm next week.įirst off your client monitor. This is what I would do based on my experience and understanding of how macOS handles colour management and how that interacts with Resolve. Cool, really helpful to know some more of the details of your set up.
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